Bill Evans

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Jazz

Bill Evans (born William John Evans; 16th August 1929-15th September 1980) was one of the most famous jazz pianists of the twentieth century. Along with McCoy Tyner and Oscar Peterson, he was the force behind the biggest evolution in jazz since Art Tatum and Bud Powell. His use of impressionistic harmony, his inventive interpretation of traditional jazz repertoire, and his syncopated and polyrhythmic melodic lines influenced a generation of pianists, including Herbie Hancock, Denny Zeitlin, Chick Corea, and Keith Jarrett, and his work continues to inspire younger pianists such as Fred Hersch, Bill Charlap, and Lyle Mays, as well as other musicians such as guitarist John McLaughlin. He worked briefly with Miles Davis and was the pianist on all but one track of Kind of Blue (1959). In fact, although “Blue in Green” is credited to Davis, Evans always claimed that it was his own composition and that some years later Davis gave him $25 as compensation for lost royalties. Evans won seven Grammys during his career, the first for Conversations With Myself (1963) although not for his most celebrated work, Sunday At The Village Vanguard (1961) with bassist Scott LaFaro and drummer Paul Motian.